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"A-tearin' up of their clothes and a-goin' about without shame. He was a man called Micky Cruppin, sir. Another 'ud stop at every pool to wash his feet. I knowed a man who wouldn't attend sarvice 'cos he said that the devil always came in, and took a seat beside him. There was old Mother Compton, who'd spit at a dog if he barked at her, who used to do her washin' on the Sabbath, sayin' that she was too good to go to church, and that the parson ought to be 'anged for having committed a forgery where he last lived. And this she'd say of a new parson just as she would of t'other who had gone afore him." "Who?" To this Mr. Johnston made no audible reply. He simply nodded, waiting with suspended fork, for his narrator to resume..

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The Admiral drummed with his fingers upon the table, looking down. Again at this ingenuous remark the Admiral and the Captain exchanged a smile. Mr Lawrence descended the steps into the cabin, which has already been described, with its plain sea furniture and stand of arms, and entered the after berth which he had pretended to convert into a sick bay. Here were two rough bunks, one on top of the other, each containing a mattress and bolster. It was the middle berth betwixt the Captain's and the pantry. Mr Lawrence's sea-chest, clothes, and nautical instruments were here collected. He stepped to a shelf and took from it a tin box containing the ship's papers, and from this box he drew out a large, portentous, heavily-sealed [Pg 247]envelope, whose enclosure of stout paper rendered it somewhat thick and bulky. He looked at the address. Upon the envelope in a bold clerkly hand was written: This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation..